We live but as if dead (2024) Painting by Loi Duc (DucloiArt)

Oil on Canvas, 35.4x63 in
$8,797
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Seller Loi Duc (DucloiArt)

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 35.4in, Width 63in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Abstract Everyday Life
Technical We live but as if dead / 160-90cm/ oil on canvas /2024 About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments[...]
Technical We live but as if dead / 160-90cm/ oil on canvas /2024

Related themes

DucloiartContemporaryartVietnamartLoiducaartLoiaartist

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Loi Nguyen Duc, a contemporary Vietnamese artist, delves into the theme of Art Communism in his thought-provoking paintings. He views East Asian Communism as a subject ripe with[...]

Loi Nguyen Duc, a contemporary Vietnamese artist, delves into the theme of Art Communism in his thought-provoking paintings. He views East Asian Communism as a subject ripe with themes of fabrication and greed for power, which he believes have contributed to creating a civilization that is demonic and spiraling in circles indefinitely. Drawing inspiration from classical European artworks depicting the biblical struggle between God, Angels, and Demons, Duc discerns a striking parallel within Vietnamese society.

Born in 1981 in Vietnam, Loi Nguyen Duc pursued his artistic education at the Hanoi Fine Arts University. Exhibiting his works both in Germany and his native Vietnam, Duc's art captivates viewers with its insightful commentary on the complexities of modern society.

One of Duc's notable achievements includes having one of his paintings acquired by the Hoi An Art Museum, a testament to the impact and resonance of his artistic vision. Through his bold exploration of Art Communism and its societal implications, Duc invites viewers to contemplate the intersection of power, ideology, and human nature.

The Artist was highlighted in an article in Artmajeur Magazine:

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