Triptyque "Déjeuner sur le pouce" (2023) Drawing by Alain Barat
Ink on Paper, 18.9x42.5 in
$595.79
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Alain Barat
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Sold by Alain Barat
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
-
Original Artwork (One Of A Kind)
Drawing,
Ink
on Paper
- Dimensions Height 18.9in, Width 42.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Drawings under $1,000 Figurative Everyday Life
Triptyque de trios à déclinaisons, réalisé à l'encre de Chine. (3 dessins de format 36 x 48 cm chacun)
Le premier dessin se caractérise par un homme à tête de bélier, que l'on peut interprêter comme le décideur, le mâle alpha dans le milieu du travail.
Le deuxième est une version moderne du « Déjeuner sur l'herbe » que l'on[...]
Triptyque de trios à déclinaisons, réalisé à l'encre de Chine. (3 dessins de format 36 x 48 cm chacun)
Le premier dessin se caractérise par un homme à tête de bélier, que l'on peut interprêter comme le décideur, le mâle alpha dans le milieu du travail.
Le deuxième est une version moderne du « Déjeuner sur l'herbe » que l'on pourrait appeler « Déjeuner sur le pouce » au cours duquel les personnages n'ont pas assez de temps pour s'asseoir, tout va si vite (les restes du repas ne sont déjà plus visibles, à l'exception d'un gobelet). Comme dans le tableau initial d'Edouard Manet, seule la femme est nue, situation que l'on pourrait aujourd'hui qualifier de « machiste ».
Le troisième est tout à l'opposé. Cette fois-ci, seuls les hommes sont nus.
Le premier dessin se caractérise par un homme à tête de bélier, que l'on peut interprêter comme le décideur, le mâle alpha dans le milieu du travail.
Le deuxième est une version moderne du « Déjeuner sur l'herbe » que l'on pourrait appeler « Déjeuner sur le pouce » au cours duquel les personnages n'ont pas assez de temps pour s'asseoir, tout va si vite (les restes du repas ne sont déjà plus visibles, à l'exception d'un gobelet). Comme dans le tableau initial d'Edouard Manet, seule la femme est nue, situation que l'on pourrait aujourd'hui qualifier de « machiste ».
Le troisième est tout à l'opposé. Cette fois-ci, seuls les hommes sont nus.
Related themes
Déjeuner Sur Le PouceDessin TriosDessin Deux Hommes Une Femme
A young student of the painter Fernandez Diaz, Alain Barat began his activity as a cartoonist and illustrator in the press at the age of 18. After studying applied arts in Bordeaux, he attended the Atelier[...]
A young student of the painter Fernandez Diaz, Alain Barat began his activity as a cartoonist and illustrator in the press at the age of 18.
After studying applied arts in Bordeaux, he attended the Atelier Lafaye then the Atelier Pluriel in Bordeaux where he worked on anatomy with models (portrait and academic nudes).
Then came orders for the theater (creation of sets), #039;publishing (novel covers) and communication (agencies, illustrations for conferences, etc.).
Press cartoons and caricatures will also take their place in his creations. He sometimes sketches, on the spot, the faces of passers-by acting in poses.
His refined lines are stylized in the manner of comic book artists. His taste for portraiture asserts itself, just as his models become more feminine.
Guided by aesthetic research, he paints the feelings and universal humanity of his models.
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Nationality:
FRANCE
- Date of birth : 1964
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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