" Rideaux " (1997) Collages by Denis Reitz

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Seller Denis Reitz

  • Original Artwork (One Of A Kind) Collages, Collages on Paper
  • Dimensions Height 8.3in, Width 11.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Collages under $500 Outsider Art Geometric
" Rideaux " 1997 Technique mixte huile, papier, plastique sur papier env. A4 > Joie de retrouver un petit de 1997, oublié depuis des années, chez des amis fidèles qui l'ont encadré… Bien sûr à l'époque jamais photographié… Mon catalogue raisonné se compile… et meilleure photo à venir ! <[...]
" Rideaux " 1997
Technique mixte huile, papier, plastique sur papier
env. A4

> Joie de retrouver un petit de 1997, oublié depuis des années, chez des amis fidèles qui l'ont encadré… Bien sûr à l'époque jamais photographié…
Mon catalogue raisonné se compile… et meilleure photo à venir ! <
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French artist. Lives and works in Paris. Admitted to the « Maison des artistes » since 1995, his activity as a visual artist is accompanied and supported by his work as a graphic designer-consultant[...]

French artist. Lives and works in Paris. Admitted to the « Maison des artistes » since 1995, his activity as a visual artist is accompanied and supported by his work as a graphic designer-consultant working with major agencies of communication and publishing, where he confronts the technological evolutions in his search for the expressible colour.

Self-taught, he seeks his inspiration in the streets and gutters, and collects his materials on both shores of the Mediterranean: corroded metal, fragments of mechanisms, textured papers are for him as many fields of exploration and sensations.

Inspired by the artistic trends of the 1960’s: New Realism, Supports/Surfaces and The School of Nice, he practices an empirical technique of agglutination, with different media and binders, in search of reconstruction, semantic reminiscences, presences……

As a collagist, his masters in composing and assembling  are the great cubist surrealists (Georges Braque, Kurt Schwitters…) and for the papers, the posters of the 1960s (Jacques Villeglé, Herbert Brandl…).

The digital virtual allows him to experiment in electronic saturation, the extreme vibration of colours traditionally termed  "non-printable", to create a "Pop’Up" universe..

-Remerciements à Wade H Grimbly pour la traduction anglaise-

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