"The philosopher's room where he puzzles over his traps." (2022) Sculpture by Giò Pasta

Sold by Giò Pasta

Buy a print

This print is available in several sizes.

$27.23
$46.84
$101.30
Customer's reviews Excellent
Artists get paid their royalties for each sales

Sold by Giò Pasta

Digital licensing

This image is available for download with a licence

$32.68
$130.70
$272.30
Max resolution: 4549 x 2362 px
Download immediately upon purchase
Artists get paid their royalties for each sales

Sold by Giò Pasta

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Fit for outdoor
Mounted on Wood Panel
This artwork appears in 3 collections
"The philosopher's room where he puzzles over his traps." Theatrical set installation The dreamlike theatrical vision, in my mental imagery, is the effort of an artist who creates mediatic latencies to capture light in different dimensions, where the threads of an art are glimpsed in the visible and invisible. Then I act[...]
"The philosopher's room where he puzzles over his traps."
Theatrical set installation
The dreamlike theatrical vision, in my mental imagery, is the effort of an artist who creates mediatic latencies to capture light in different dimensions, where the threads of an art are glimpsed in the visible and invisible. Then I act out my painting in the preferred dimension, in becoming, to celebrate, meditate, and strip away. I myself become a spectator of my experimentation, infused with irony, in search of innovation. The four dimensions, dreamlike scenes, bear witness as episodes on a stage where the beams of light create intimate, sometimes surreal, magical atmospheres. The presence of the silhouettes of moving bodies in the background of the scene are echoed by these incandescent trails that serve as a counterpoint.
A singular metaphorical reading key, an incisive and animated painting element. The philosopher, the main character, standing in the middle of the scene and depicted as an abstract wooden sculpture composed of protruding geometric elements, reflects fluorescent pigments, with the complicity of lights: OLED, neon, halogen "dichroic," and Wood lamps. This suggests that the artist is trying to explore the theme of philosophy, and in particular its relationship with art and creativity. To the right and left of the scene, other sculptural presences such as pointed clouds descend downwards, and in the center of one of them is a crystal sphere. They are silent, detached, lost: abstract, otherworldly entities. They represent the world of fantasy and imagination, and explore the relationship between man and the divine.
The work thus arranged undoubtedly arouses a certain astonishment, but it is not everything, there is no completeness of destiny, it is only a dreamlike landscape in transit, as if waiting for the after, a sequel, perhaps unknown, that is still to be defined in its range of visible and invisible tones.
I would add that the work aims to suggest a reflection on art itself, on its ephemeral nature and its ability to evoke dimensions beyond the visible. It is an invitation for the viewer to immerse themselves in a dreamlike world, to celebrate the beauty of imagination and artistic experimentation, and to reflect on the very nature of art as an expression of a deeper and more complex reality.

Related themes

Installazione TeatraleArtesurrealeVisionaryartArtecollezioneScenografiart

Follow
I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located[...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

See more from Giò Pasta

View all artworks
Sculpture - Pigments | 39.4x55.1 in
$21,683.07
Oil on Canvas | 39.4x27.6 in
$6,230.4
Oil on Canvas | 27.6x39.4 in
$6,688.12
$6,354.83
Oil on Canvas | 47.2x32.3 in
$6,925.87

Artmajeur

Receive our newsletter for art lovers and collectors