Miles Davis - Iconic - Tirage muséal Signé - Henri Dauman (1960) Photography by Henri Dauman

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Seller Manhattan Darkroom

Iconic print Iconic print edition Museum print Signed Miles Davis New York, 1963 Miles Davis at the Randall's Jazz Festival in New York in 1960 Miles Davis at the Randall's Jazz Festival in New York in 1960 Print reference / Scanning reference: 60289.6P01H Format l 'image / Picture size: 40 x 26.8 cm Print format / Paper size: 48 x 33[...]
Iconic print Iconic print edition Museum print Signed Miles Davis New York, 1963 Miles Davis at the Randall's Jazz Festival in New York in 1960 Miles Davis at the Randall's Jazz Festival in New York in 1960 Print reference / Scanning reference: 60289.6P01H Format l 'image / Picture size: 40 x 26.8 cm Print format / Paper size: 48 x 33 cm Frame format / Frame size: 50 x 40 cm Additional information / Additional information: Photo signed by photographer Henri Dauman at the bottom right. / Photo signed by the photographer Henri Dauman on the lower right. Description handwritten by photographer "Miles Davis, 1960" lower left. / Handwritten description by the photographer "Miles Davis, 1960" lower left. Print supervised and signed by the photographer. / Print supervised and signed by the photographer. Print and production certification on the back of the work: Certification sticker with number # 4078459 and bar code, film negative number and official exhibition label. / Print and production certification on the back of the work: Certification sticker with number # 4078460 and bar code, film negative number and official exhibition label. Certificate of original authenticity on the back of the frame / Exhibition COA at the back of the frame: # 4078460 Protocol de digitization et tirage / Scanning and printing protocol: Support original scanné sur / Original media scanned on: Hasselblad Flextigh X5 Tirage museum produced on / Museum print made with: Epson 9890 Encre / Ink: Ultrachrome Papier / paper: Canson Infinity Baryta 310 gr / m2 Year of realization / Year: June 2014 Place of realization / Place of print: Musée de la photographie Nicéphore Niépce - France Year of certification / Certification year: June 2014 Number and number of prints / Print number # 1/3 Notes on the photograph: The image is from a digitization work in February 2014, in New York, directly from the slide original. It has been restored for exhibition purposes and is shown and printed in its original framing. This edition is limited to 3 copies. Here we offer you the first of the series. The other copies were offered to various personalities during the retrospective "The Manhattan Darkroom" on the photographer at the Palais d'Iéna in 2014. Any question? Contact us! Notes on photography: The image was scanned in February 2014, in New York, directly from the original transparency. It has been restored for exhibition purposes and is presented in its original image frame. This edition is limited to 3 copies. Here we offer you the first of the series. The other copies were offered to various personalities during the retrospective "The Manhattan Darkroom" on the photographer at the Palais d'Iéna in 2014. One question? Contact us

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Miles DavisHenri DaumanJazzNew YorkBlanck And White

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Henri Dauman is perhaps the most famous photographer you've never heard of, at least not by name. His journalistic photos are sharp and thoughtful. He has depicted, for Life Magazine[...]

Henri Dauman is perhaps the most famous photographer you've never heard of, at least not by name.
His journalistic photos are sharp and thoughtful. He has depicted, for Life Magazine , The New York Times , Newsweek or Paris Match , a changing America torn by its exuberance and its contradictions.

Henri Dauman's work is atypical. It has witnessed important historical events that include the iconic images of Marilyn Monroe, Andy Warhol, Jackie and John Kennedy or the demonstrations for American civil rights, the uprising of Buddhist priests in the middle of the Vietnam War.
But his eye cinematographically dissects each subject. Henri Dauman is an engaging storyteller.
From Paris where he escaped the Shoah to Manhattan where he reinvented himself, he is one of the most prominent photojournalists of the 20th century.

Henri Dauman's photographic work offers us a new look at America. She depicts this key moment – the 1960s – when new arts emerged, when an increasingly disparate society asserted itself frankly, when the political and media worlds came together.

After escaping the Velodrome d'Hiver Roundup and the concentration camps, Henri Dauman emigrated to the United States in 1950. The seventeen-year-old young man remained fascinated by the power and urban architectural elegance of Manhattan. Throughout his career, he never stopped portraying the only city that matters: New York. The Looking Up series is part of the MoMa collection in New York.

Pugnacious, he became a recognized photojournalist and collaborated with all the major American and European titles, constantly asserting his independence with energy. His priority is to tell stories. The man confesses his debt to the cinema and its grammar, he uses sequences to meet the main objective of the press of the time: to focus on the photographic image.

He is also the originator of the defense of the copyrights of photographers in the United States for the American Society of Media Photographers (ASMP).

The iconic photograph of Jacqueline Kennedy at the funeral of assassinated US President John F. Kennedy is part of one of the illustrations regularly featured regularly by Life magazine. This photograph was also used many times by Andy Warhol for his paintings Nine, Twelve and Sixteen Jackies .

It was only at the age of 81 that he would be at the center of a first exhaustive retrospective at the Palais d'Iéna in Paris in 2014 with the retrospective exhibition The Manhattan Darkroom and an American biographical film Looking . Up in 2018. It will also be exhibited at the essential Nicéphore Niépce photography museum in Chalon-sur-Saône or at the Breman Museum in Atlanta.

Because of his unpublished work, Henri Dauman is often compared, by some, to Vivian Maier. More than 1 million photographs still remain unexplored today.

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