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-Recette-Jean-Pierre-Fouque- (2012) Drawing by Jean-Pierre Fouque
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Sold by Jean-Pierre Fouque
This image is available for download with a licence
Sold by Jean-Pierre Fouque
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Original Artwork (One Of A Kind)
Drawing,
Ballpoint pen
on Paper
- Dimensions Height 7.5in, Width 6.1in
- Framing This artwork is not framed
- Categories Drawings under $500 Abstract Abstract
Mettez :
Trois personnes dans un bocal
Bocal style poisson rouge
Transparent donc
Mais très important,
Sans aucun décors autour.
Ces personnes très vite vont tenter de sortir
Ils se feront la courte échelle
Se grimperont les uns sur les autres
Pour accéder au sommet
Mais rien y fait.
Ils glissent à l’arrivée…
Quel est ce jeu là me direz-vous ?
Je vous répondrait que ce n’en est pas un.
Cela passait avant les informations
Sur une des saintes chaînes de nos télévisions.
Tout les soirs inéluctablement
Se débattaient désespérément
Les agités du bocal.
Après maintes années de réflexion
J’en suis arrivé à la conclusion
Qu’il vaut mieux être agité
Pour essayer de sortir du bocal
Que de rester tranquillement à l’intérieur
Bouch’baie, attendant, sans’donner de mal
Les miettes à poisson de quelques doigts rieurs.
Heureusement et comme morale de ma petite histoire :
Tout message contient deux lectures.
Et il existe le strabisme divergent.
Qui à travers sa focale lui,
Transmettra une contre information.
Laissons donc le convergent recentrer tout ça
Et peut-être que le troisième sortira du bocal.
Ce petit chef d’œuvre de huit clos
Digne de ce cher monsieur jean-Paul Sartre
Ce déroulait devant nos yeux
Dans les années soixante.
Il est d’ailleurs intéressant de noter, que ce même cher monsieur Sartre, déclarait en 1954 de retour d'URSS, lors d'un entretien pour Libération :
«Le citoyen soviétique possède, à mon avis, une entière liberté de critique»
Ayant donné cinq longs entretiens la même années pour le même quotidien, celui-ci résumera la teneur du premier d’entre eux par :
«La liberté de critique est totale en URSS.»
Ironique qu’un journal se nommant «Libération», se fit l’écho de la liberté totale de critique en URSS en 1954 alors que les Goulags créés en 1934 furent fermés qu’en 1991
Et après on nous dit qu’internet guide nos pas, que les méthodes stimuli aujourd’hui, sont ultra sophistiquées.
Bonne appétit, ministres intègres !
Extrait des pensées de Nessuno
Éditions le lys bleu
Disponible Fnac, Amazon & autres plateformes.
Jean-Pierre Fouque
A reserved child, almost invisible, he lives in a world that he will later describe as phantasmagorical. “No need to talk, my wanderings were enough for me. Dreamer and solitary, he escapes through paper and pencil, when he is not drawing comic strip characters, he sketches landscapes.
But, “The first images that really struck me, I would even go so far as to say: Jumped out to the eyes, were the drawings of Daumier, I could not imagine that we could have such precision in the line and above all translate on paper, the mood of one or more characters in this or that situation. I don't know ? It was magical for me. And it still is.
And as he says “There is only one Checkerboard. And even if my lines could be very, very fine, I was only doing what I quickly considered to be copying and I hate that!”
So he turned to the abstract.
“It’s like a urge to piss, I paint as I write,
I can’t think in advance about a particular theme. I usually say that I spit on the canvas. A rhythm is then imprinted in me, a breathing. I send whatever flow it may have onto the canvas and let it go. This is where what I call vibration comes in. Not just the vibration of colors but the one that settles inside my body. It’s there and only there that something happens. What I don't know? I only see afterwards, or sometimes during things appear to me. I have the feeling of doing the work of an archaeologist. To make things that already exist reappear. Like vestiges that have disappeared for centuries. Maybe it's my subconscious? But I won't go any further, because I am in no way a psychologist! And I hate making interpretations about what I do. I just do it.
He works with oil or acrylic and mixes with materials, which he particularly likes
Otherwise, with red chalk, charcoal, oil pastel and walnut husk bases.
'For writing it's the same, I send a word from an image, a feeling and the rest follows. The rhythm, a kind of musicality, as if each word had a sound, it's difficult to explain but, from these words assembled in sentences, I feel a musicality. I'm definitely not looking for a particular melody. It would be the same as thinking before doing. That's all I'm doing.
Thoughts of Nessuno Volume I & II
Editions le lys bleu
Available Fnac, Amazon & other platforms
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- Nationality: FRANCE
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary French Artists