Sag‘ du mir nicht, was ich machen soll! (2021) Printmaking by Michael Rehr-Hoffmann

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$32.57
$130.28
$271.43
Max resolution: 2578 x 3532 px
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Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
  • Limited Edition (#23/100) Printmaking, Digital Print on Cardboard
  • Dimensions 19.7x15.8 in
    Dimensions of the work alone, without framing: Height 14.4in, Width 10.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Acrylic Glass)
  • Categories Printmaking under $500 Figurative Everyday Life
„Sag‘ du mir nicht, was ich machen soll“. Zwei Herren am Strand im Gespräch. Ein Bild sagt mehr als viele Worte. Limitierte Auflage von 100 Stück. Digitaldruck auf 300g Munken Premium, handsigniert und nummeriert. About this artwork: Classification,[...]
„Sag‘ du mir nicht, was ich machen soll“. Zwei Herren am Strand im Gespräch.
Ein Bild sagt mehr als viele Worte.
Limitierte Auflage von 100 Stück. Digitaldruck auf 300g Munken Premium,
handsigniert und nummeriert.

Related themes

StrandGesprächHerrenUrlaubsituationen

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Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer[...]

Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer in various areas of advertising and public relations in Lüneburg. After his professional life, he retired and began painting again in 2016, initially creating drawings and color sketches. That was the starting signal. His works, which include countless drawings and paintings, have already been shown in regional exhibitions in and around Lüneburg.

A main theme in his works is the still life, in which every object has a meaning and wants to tell the viewer something . Furthermore, humans appear as social creatures, both alone and in groups, in many of his drawings and paintings. His works are often unintentionally funny, but never didactic. Instead, he wants the audience to do the interpretive work and interpret his works in their own way.

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