L'humain (2018) Painting by Michele De Agostini

  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 47.2in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Abstract Abstract
La semantica e la semiotica: Suite à la dialectique entre le support et le moyen, la peinture s'approprie un langage symbolique et devient la structure de la mémoire. La démarche consiste à lire les œuvres avec une perspective différente, définie par le langage protocolaire du conformisme.
La semantica e la semiotica:
Suite à la dialectique entre le support et le moyen, la peinture s'approprie un langage symbolique et devient la structure de la mémoire. La démarche consiste à lire les œuvres avec une perspective différente, définie par le langage protocolaire du conformisme.

Related themes

ArtToileAcryliquesCouleurExpressionisme

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Michele De Agostini is a contemporary Italian painter based in France, known for his distinctive approach to art that blends the transformative nature of materials with the act[...]

Michele De Agostini is a contemporary Italian painter based in France, known for his distinctive approach to art that blends the transformative nature of materials with the act of erasure. His artistic toolkit extends beyond conventional implements, incorporating plasterer's spatulas, plexiglass plates, painter's knives, and traditional brushes. This unconventional selection of tools reflects his commitment to exploring the dynamic interplay between material construction and its subsequent obliteration.

De Agostini's artistic expression serves as a symbolic representation of the delicate equilibrium within pictorial chaos, encompassing natural, material, chromatic, and structural aesthetics. Rooted in perpetual inquiry, his work engages not with the question of why but rather with how, delving into the essence of creation and existence.

A recurring theme in De Agostini's art is anthropophagy, which becomes a conduit for visceral and spontaneous doubt. This thematic exploration aligns seamlessly with the raw values of survival inherent in human existence. The artist's choice of abstract language is underpinned by a fundamental belief—that the essence of art lies not in the support, technique, material, or medium used, but rather in the space between emptiness and the inundation of products.

In 2005, De Agostini introduced his innovative concept of Sliding Painting. This technique involves the controlled sliding of tools laden with material, leaving behind traces that symbolize the imprint of humanity. The canvas serves as the stage where the palette is composed, giving birth to an embryonic composition in the process of becoming.

In 2006, Dermatism emerged as a defining chapter in Michele De Agostini's artistic journey. Guided by Dermatism, the artist persistently explores the interplay of creation and destruction, delving into the profound depths of artistic expression. De Agostini's narrative as a painter unfolds as a compelling story that transcends traditional boundaries and artistic norms.

See more from Michele De Agostini

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Oil on Canvas | 35.4x35.4 in
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