Sala di amore (2019) Sculpture by Olatz Intxausti

Sculpture - Plaster, 9.8x20.9 in
$1,153.72
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Me encantan los frisos escultóricos que suelo encontrar en los museos de arte antiguo, normalmente son trozos recuperados y restaurados de las ruinas de monumentos de civilizaciones antiguas. Suelen representar dioses, escenas de batallas, eventos míticos, escenas religiosas, depende de la época y la cultura. ​Yo me suelo fijar mucho[...]
Me encantan los frisos escultóricos que suelo encontrar en los museos de arte antiguo, normalmente son trozos recuperados y restaurados de las ruinas de monumentos de civilizaciones antiguas. Suelen representar dioses, escenas de batallas, eventos míticos, escenas religiosas, depende de la época y la cultura.

​Yo me suelo fijar mucho en las expresiones que tienen las figuras, y suelo encontrar emociones de todo tipo, de amor, de miedo, de ira, de tristeza etc.

​Siempre me siento tentada de llevarme uno de esos pedazos de friso a mi casa, ya que tienen tanta vida, no solo por su significado cultural e histórico sino por el recorrido que han tenido las piezas, con el consiguiente desgaste que han sufrido desde que fueron creadas hasta el día de hoy.

​Ya que no puedo llevarme frisos históricos a mi casa, decidí crear las mías propias!

Esta obra se llama "Sala di amore" , es una sala donde todas las expresiones del amor sobresalen del friso a través de diferentes personajes. Desde el amor en soledad, en pareja, amor fraternal y el amor soñado...

​
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Spiritual Art
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Olatz Intxausti Portrait
Olatz Intxausti
Spain
Ever since I was a child my shyness has led me to observe people. I noticed their looks, their body postures, the way they spoke, the way they related to each other. This observation of others allowed me to[...]

Ever since I was a child my shyness has led me to observe people. I noticed their looks, their body postures, the way they spoke, the way they related to each other. This observation of others allowed me to get to know others as well as myself. As emotions are universal, the emotion that I saw in others I saw in myself too, and the union that I felt with others made me feel good.

I realised that most of us go through life hiding our true essence, our emotions. But there is always a moment when that comes out. Sometimes a person's emotion is felt in a second, in a gesture, in a look, and that second is what I want to capture in my works of art, so that second of authenticity is eternal.


There is also a noticeable influence of ancient art in my works because I like to feel that there were people centuries ago who captured the same universal emotions that I want to express today, teaching me that emotions are not only universal, but also timeless.

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