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I SINDACALISTI (2013) Painting by Stefano Galli
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Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 11.8in, Width 11.8in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Conceptual Art Industry
Entrai nella fabbrica con lo stomaco in subbuglio; era la prima ditta nella quale mettevo piede e
l'atmosfera che ne ricevetti, non fu delle più accoglienti. Percorsi il lungo corridoio che portava all'usciere
il quale mi indirizzò al mio reparto. Attraversai un paio di grandi saloni colmi di macchine utensili
manovrate da un gran numero di operai, dei quali, soltanto pochi mi guardarono, però uno di questi mi
fissò negli occhi e mi fece il gesto di tagliarmi la gola. Nell'ufficio di reparto mi accolsero cordialmente e,
se nel modo di farlo, mi mettessero in sospetto, mi proposi di accettare tutto, compreso le offese,
d'altronde il mio obiettivo era lavorare per guadagnare. Finiti i convenevoli, il capo reparto mi diede una
tabella di lavorazione ed un cronometro dicendomi: vai al 41 e controlla i tempi. Il 41 era un operaio
immenso, peloso e dall'aspetto truce. Esordii con un “buongiorno” al quale mi rispose “buongiorno un
.....” e, di ..... in ....., mi espresse la sua volontà di lavorare come gli pareva e che andassi “a fare in ....”.
Probabilmente rimasi così di stucco da assumere una espressione talmente ridicola da provocare
tutt'intorno una chiassosa ilarità. Infine era tutta una commedia; uno scherzo col quale accoglievano i
nuovi arrivati. Mi si presentarono anche un paio di sindacalisti. Il capo reparto, in ufficio, si riprese il
cronometro dicendomi: “ E' un bel po' che non lo usiamo”.
Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.
Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.
The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.
Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.
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Nationality:
ITALY
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Italian Artists
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